Review: Neil Little, “Little Light”
In a world where fires rage across California, political turmoil brews on both sides of the border, and the cost of living threatens the…
Review: Free to Grow, “Lady of the North (and Other Fine Stories)” EP
Fredericton’s Free to Grow consistently delivers an intriguing musical experience. This dynamic quality may stem from the band’s ever-changing lineup or the creative vision…
Review: Andrew Moore, “Bold Lies” EP
I first encountered Andrew Moore during last year’s Harvest Music Festival when we shared a bill at Fredericton’s Par 94 Bar and Golf Lounge….
A Special Experience At The Scene Presents: BIG Battle Of The Bands
While running errands on a quiet Wednesday afternoon, I received a message from Zack Ingles, whom I’ve previously featured here at Great Dark Wonder….
Review: Rick Sparkes + The Enablers, “There Is Nothing To Be Won but Distance”
Great artists don’t need to reinvent the wheel to connect with their audience. Often, listeners rely on a certain degree of familiarity to form…
Cassie Noble: Live at the Abbey Café and Gallery
Attending a Cassie Noble performance is a lot like driving through a snowstorm at night, where the falling snowflakes create a mesmerizing, almost hypnotic…
Review: My Black Ram, “Mirror Machine”
There’s something enigmatic about My Black Ram. While three of its members – frontman Peter Hicks, bassist Mike Hatheway, and keyboardist John Heinstein –…
Terra Spencer: Live at the Charlotte Street Arts Centre
A great musical performance balances content and showmanship. Much like cooking, the right ingredients make a good meal, but the presentation is what takes…
Review: Terra Spencer, “Sunset”
For many, the sunset symbolizes an ending or the closing of a chapter. However, artists often view it as a beginning. While daytime is…
Review: Kylie Fox, “Sequoia”
Some albums are like Swiss army knives – they pair well with almost any situation, whether you’re driving, cooking, or reading. Others require your…