Kennedy Road Release “A Little Fight Left Yet”
Canadian folk-roots duo Kennedy Road are proud to share their highly-anticipated full length debut album, “A Little Fight Left Yet,” recorded at Music House…
reviews
Review: Blackie & The Rodeo Kings, “King Of This Town”
If you told me that you’d be providing me with the following names to collaborate with on my next recording, I’d say, “Thank you very much, we’ve got…
Review: Aaron Karpinka, “Tender Heart”
How can an album be charmingly disarming while exploring deeply sensitive, gravely significant concerns, at the same time? This might be the question to…
Review: R. Grunwald, “Oma”
After contributing his style to many other artists albums (Jill Barber, Donovan Woods, Rose Cousins), Toronto, ON, musician R. (Robbie) Grunwald has now released…
Review: David Gluck, “Death is a Quiet Customer”
We recently interviewed both David Gluck and Shawn William Clarke about Will Moor, the collaborative ambient-music project recorded over four years ago, but just…
Review: Andy Shauf, “Neon Skyline”
Andy Shauf’s latest album evokes a 70s sound you long to hear on a jukebox in your local dive bar. Three years have passed…
Review: Rose Cousins, “Bravado”
Following her highly acclaimed and incredibly successful 2017 “Natural Conclusion” album, JUNO Award and GRAMMY nominee Rose Cousins releases her much anticipated new album,…
Review: The Franklin Electric, “In Your Heart”
Following their milestone 2017 “Blue Ceilings” album, Montreal, QC indie-folk rockers, The Franklin Electric, return with a brand new EP today, titled “In Your…
Review: Sarah Slean & Hawksley Workman, “These Two”
Two of Canada’s finest performing artists, Sarah Slean and Hawksley Workman, release a brand new EP titled “These Two” today. The elegance of these…
Review: Tami Neilson, “CHICKABOOM!”
I really don’t like to be repetitive, and have lost count of how many articles have started out this way, but I heard this…