Review: David Gluck, “Death is a Quiet Customer”
We recently interviewed both David Gluck and Shawn William Clarke about Will Moor, the collaborative ambient-music project recorded over four years ago, but just…
reviews
Review: Andy Shauf, “Neon Skyline”
Andy Shauf’s latest album evokes a 70s sound you long to hear on a jukebox in your local dive bar. Three years have passed…
Review: Rose Cousins, “Bravado”
Following her highly acclaimed and incredibly successful 2017 “Natural Conclusion” album, JUNO Award and GRAMMY nominee Rose Cousins releases her much anticipated new album,…
Review: The Franklin Electric, “In Your Heart”
Following their milestone 2017 “Blue Ceilings” album, Montreal, QC indie-folk rockers, The Franklin Electric, return with a brand new EP today, titled “In Your…
Review: Sarah Slean & Hawksley Workman, “These Two”
Two of Canada’s finest performing artists, Sarah Slean and Hawksley Workman, release a brand new EP titled “These Two” today. The elegance of these…
Review: Tami Neilson, “CHICKABOOM!”
I really don’t like to be repetitive, and have lost count of how many articles have started out this way, but I heard this…
Review: Liam Corcoran, “Giving Tree and Other Songs”
An East Coast singer-songwriter endeavors to camouflage his natural pop-rock sensibilities. One gets the impression PEI’s Liam Corcoran is in a state of flux…
Review: Lynne Hanson, “Just Words”
Just Words, the newest album from Lynne Hanson, is a multi coloured mirror of styles and genres, reflecting on love and a relentless passage…
Review: Adam Cicchillitti and Steve Cowan, “Focus”
In his debut album for Analekta, Adam Cicchillitti chose to highlight 19th- and 20th-century Spanish repertoire in a gorgeous project that remains on my…
Review: Jon Brooks, “Moth Nor Rust II”
“19. Lay not up for yourselves treasures upon earth, where moth and rust doth corrupt, and where thieves break through and steal: 20.But lay…