Review: Ryan Cook, “Having A Great Time”
It was during a recent review of the new album by Sean Burns and LOST COUNTRY that I posed the question, “If modern country…
reviews
Finding Space in the Noir: Chris Wallace’s Many Names, “Somewhere Sacred”
Since I’m still somewhat of a jazz neophyte (at least from the standpoint of listening it with a semi-critical ear), I can’t claim an…
Review: Signs to the City, “Not Made Of Miracles”
Team GDW recently received a copy of “Not Made Of Miracles,” the debut full-length album from Signs to the City, and I was curious…
Review: The Fugitives, “The Promise Of Strangers”
We have been incredibly fortunate to work with several new artists over the last few months and share their first or new album releases…
Review: VK, “Terms and Conditions”
As music bloggers, we are always happy to share the music of artists both firmly established and previously unknown to us. Social media has…
Review: Steve Maloney, “The Memory Game”
In response to our year-end roundups, a Facebook reader pointed us to the longlist for the 2017 Borealis Music Prize for more terrific albums…
Take A Chance On Me: The Mississippi Kings
It was during one of the last excursions to Ontario in late 2017 that we stumbled across a ‘local music’ section within a used…
Find a New Favorite: Kelly Song Collective, “Unless and Until”
Every now and then, we encounter the music of a new (or recently established) artist, and naturally want to share their music with a…
2017 Year-End Roundup: Our Final Four (Each)
Late last week, M texted me (L) that he wanted to do a set of snappy snippets of his four absolute favorite albums from…
2017 Year-End Roundup: The Top Twenty Lists
As we wrap up a terrific 2017, M and L have put together our respective top twenty year-end lists. We weren’t really surprised at…