Random Record Revival: Chris Velan, “Fables For Fighters”
It occurred to me not too long ago that it had been quite a while since I randomly picked an older CD out of…
reviews
Review: The Stanfields, “Limboland”
For those of you that have seen previous articles that I’ve published, you already know that I have never pulled any punches when seeking…
Review: David Francey, “The Broken Heart of Everything”
Not long after we started writing this blog, I was skimming the results of the 2016 Canadian Folk Music Awards, acquainting myself with artists…
Cool Splendor: “Sky Glow,” The Chris Platt Trio
I’ve been living with this album for a while, letting it seep into my senses – some albums just need that space to breathe…
Megan Bonnell, “Separate Rooms”
We first encountered Megan Bonnell during her time touring with Great Lake Swimmers back in 2016, and quickly sourced “Magnolia” (her brand new album…
Review: Ryan Cook, “Having A Great Time”
It was during a recent review of the new album by Sean Burns and LOST COUNTRY that I posed the question, “If modern country…
Finding Space in the Noir: Chris Wallace’s Many Names, “Somewhere Sacred”
Since I’m still somewhat of a jazz neophyte (at least from the standpoint of listening it with a semi-critical ear), I can’t claim an…
Review: Signs to the City, “Not Made Of Miracles”
Team GDW recently received a copy of “Not Made Of Miracles,” the debut full-length album from Signs to the City, and I was curious…
Review: The Fugitives, “The Promise Of Strangers”
We have been incredibly fortunate to work with several new artists over the last few months and share their first or new album releases…
Review: VK, “Terms and Conditions”
As music bloggers, we are always happy to share the music of artists both firmly established and previously unknown to us. Social media has…