Snappy Snippets, Holiday Style: O’Pears, Bros, Tomato Tomato, Emilie-Claire Barlow
For many people, the Christmas holidays are a time to pull out scads of holiday albums and crank up those old, familiar Christmas songs…
reviews
Review: Gunner & Smith, “Byzantium”
Having reviewed albums from bands such as The Deep Dark Woods, The Wilderness Of Manitoba, and The Dead South within the last few months,…
Review: Over the Moon, “Moondancer”
Alberta folk/swing duo Over the Moon has released a delightful set of songs with their debut album, “Moondancer.” Suzanne Levesque and Craig Bignell, multi-instrumentalists…
Snappy Snippets: Music From the Maritimes
Still reeling from the abundance of traditional music that we experienced during the recent Celtic Classic festival here in PA, our craving for finding…
Review: Émilie Landry, “Être social”
In her new EP, “Être social,” New Brunswick artist Émilie Landry explores a very personal landscape: relationships with others, relationships with herself, and the intersections…
Review: Walrus, “Family Hangover”
Hailing from Halifax, Nova Scotia, the indie-fuzz band Walrus recently released their new album “Family Hangover.” Liking the retro nineties indie vibe of their…
Review: Terra Lightfoot, “New Mistakes”
I have often mentioned that given the seemingly endless supply of new Canadian music, an artist has to offer up something special to separate…
Finding God in Everything: Annie Sumi, “In the Unknown”
Way back in another lifetime, I wrote a paper for a theology course in which I intimated that God is present and visible in…
Snappy Snippets: Aron D’Alesio, Corridor, Maxim Cormier, Dennis Ellsworth & Kinley Dowling
Now that our festival season has ended, we can start diving into the pile of music that gathered dust over the summer. You’ll be…
Take a Chance On Me: The Dead South, “Good Company”
Taking time once again to sift through a collection of ‘unheard’ CDs that have accumulated over the last year or so, my eyes were…