Review: Sadie Campbell, “Metamorphosis”
Before May of this year, the music of British Columbia born, and Nashville based roots rocker Sadie Campbell was completely unfamiliar to me. Indeed,…
reviews
Review: Terra Spencer, “Sunset”
For many, the sunset symbolizes an ending or the closing of a chapter. However, artists often view it as a beginning. While daytime is…
Review: SHEAL, “Golden Hours” EP
Nova Scotia-born, and current Toronto-based musician Sheilagh McNab – recording under the stage name SHEAL (a mash up of ‘SHE’ and ‘HEAL’) – follows…
Essential New Releases: Rapid Roundup
Having reserved this slot on our posting calendar for a dedicated new album feature, once September rolled into October, selecting just one record from…
Review: Kylie Fox, “Sequoia”
Some albums are like Swiss army knives – they pair well with almost any situation, whether you’re driving, cooking, or reading. Others require your…
Review: Joel Plaskett, “One Real Reveal”
Joel Plaskett, a cornerstone of Canada’s east coast music scene, first gained prominence 30 years ago with the band Thrush Hermit. His enduring presence…
Review: Ian North, “Everything Is Incomplete”
After my first listen to Ian North’s gorgeous new album, “Everything is Incomplete,” released on August 4th, I was reminded of this quote from…
Interview: Briar Summers, “Resonance”
Huntsville, ON-born and currently Toronto, ON-based singer-songwriter Briar Summers is no stranger to us here at GDW – an emerging artist we first encountered…
First Spin, First Impressions: Abigail Lapell, “Anniversary”
“Diamonds are a dime a dozen / Take my hand / Take my hand and don’t stop running…” We have paid casual attention to…
Review: Celeigh Cardinal, “Boundless Possibilities”
You know that feeling when you are standing in front of your open closet, looking for just the right sweater, and your eye catches one that you’ve…