Review: Ian Sherwood, “Bring the Light”
I must confess to not being at all familiar with the music of Ian Sherwood, but upon my first listen of his fifth studio…
folk/roots
Interview: Taivi, “Rising Tide”
With her new album “Rising Tide,” singer-songwriter Taivi is breaking fresh ground for herself, exploring a bluegrass sound with the help of her mentor…
Interview: Qristina Brooke, “Linger”
Last September, we had the opportunity to hear Qristina and Quinn Bachand during their fabulous appearance at the Celtic Classic in Bethlehem, PA. We…
Lily & Madeleine: Live in Vienna, VA
While we remain dedicated to promoting the wonderful Canadian music scene to a much wider audience, sometimes we also want to share other artists…
Interview: Thelonious Hank, “Walk Between the Raindrops”
As I was listening to the new album from Thelonious Hank the other night, M stopped in his tracks and said, “Wow – that’s…
Review: Black Suit Devil, “The Freedom Sessions”
On a recent road trip that saw Team GDW once again heading north to catch a live show in Southern Ontario, L took charge…
Interview: Ambre McLean, “My Heart”
We’ve been waiting three years for Ambre McLean to release a new album – but “My Heart,” released just last month, was well worth…
The Fortunate Ones: An Intimate Evening at The Sanderson Centre
It is well known that Team GDW has a strong bond with The Sanderson Centre in Brantford, ON. Retuning once again to this wonderful…
Interview: Maxim and Gervais Cormier, “Cape Breton Guitar”
The superb flatpicking skills of Maxim Cormier first came to our attention with his last album, a collection of pieces by Johann Sebastian Bach. …
Interview: Piper Hayes, “Piper and Carson”
With her gorgeous new album (out 8 December), “Piper & Carson,” Piper Hayes has created a soundscape not only of her life (depicted as…