Review: The Redhill Valleys, “Travel Well (Pt. 1)”
I fondly recall an enjoyable evening of live music with Hamilton, ON country-rockers The Redhill Valleys back in May 2019 (in the Steel City…
reviews
First Spin, First Impressions: The Surfrajettes, “Roller Fink”
Have you ever watched one of those movies where the main character somehow wakes up in 1950s small town America, or is transported to…
Review: Tragedy Ann, “Heirlooms”
Almost five years ago, we were fortunate to stumble across Tragedy Ann performing in a workshop at the 2017 Home County Music and Art…
Review: Various Artists, “Coverama”
Earlier this month, our Video Vault feature included a stunning interpretation of Blondie’s “Dreaming,” recorded by Toronto, ON alt-pop artist Juliana Eye – and…
Review: Axis Decade, “Half Full Of Empty”
Released just last Friday, Axis Decade’s new album, “Half Full of Empty,” is a wonderful shoegaze trip. Led by Callen Diederichs, this Saskatoon band…
Review: Avery Raquel, “Avery Raquel”
Those of you who have enjoyed our musings about Canadian music for several years now may recall our previous interview with Brantford, ON emerging…
Snappy Snippets: The Hypochondriacs, “Waitin’”
Not to be confused with the single that Martin featured late last month, “Waitin’” is also the album title for the latest release from…
Review: Good Fortune, “Good Fortune”
If you know the name Kelsey McNulty, it is likely from her work in the past decade as a side person with acts including…
Take A Chance On Me: Ryan Kennedy, “Libertine”
Skimming through email submissions found in the GDW inbox is a little like browsing through the new arrivals at the record store. You know…
Review: Geneviève Racette, “Satellite”
It seems so difficult to just simply function these days. If this ongoing nightmare of Covid-19 wasn’t enough, suddenly someone wants to start an…